HIS CLANCYNESS began life as the solo project of Canadian singer/guitarist Jonathan Clancy but has since found a new form inspired by the camaraderie of life on the road and Italian home base. The group has evolved into a collaborative tour-hardened minimal noise-pop machine that features Jacopo Beta’s propulsive drumming, Giulia Mazza’s alien synthesizers, the commanding low thump of Nico Pasquini’s bass playing along with Clancy’s trademark fidgeting guitar work and his usual stirring lyrical resolve.
Over the last two years the band have retired to their Bologna basement HQ, Strange City Studios to put to use the newly-honed aesthetic and write a new clutch of anti-hits. Here they conducted late-night 4track experiments, embarked upon curious sonic investigations, threw the odd party and emerged with fistfuls of inspired compositions that make up their compelling new album.
They approached both Matthew Johnson (of krautrock band Hookworms) at Suburban Home Studio, Leeds and Stu Matthews (Beak, Anika, Portishead) at Portishead’s Invada Studio to capture the spirit of their experimentation and wrestle it into a succinct art-pop LP. Both producers allow His Clancyness’ restless and assertive songs to shimmer through the lo-fi murk of noisy home-recorded tape loops and analogue hiss.
Pale Fear’s cassette-recorded beat rumbles through neon-lit streets of synth noise and sleazy fuzz guitar; Uranium twists and turns, hallucinating a bleak future for the listener whilst Dreams Building Dreams denounces the Italian government’s senseless austere cuts to arts and culture with Clancy’s scathing lyrics and a synth-sax freakoutro. Impulse channels Gun Club’s romantic side whilst ballads like Calm Reaction & Watch Me Fall feel like Plastic Ono Band anti-theme tunes for an apocalypse occurring in slow motion.
Isolation Culture is a record from another place. It could be a recording snatched from a wormhole to a parallel universe where weathered Bowie statues pepper the abandoned city streets and Swell Maps’ music is piped into empty runaway subway cars. Maybe it’s the final psychedelic transmission from a radio station in flames or maybe it turned up on your lawn, delivered by an overnight tornado from somewhere that no longer exists.
HIS CLANCYNESS‘ sophomore album Isolation Culture will be released on Maple Death Records / Tannen Records (EU/UK) and Hand Drawn Dracula (ROW) on October 14th 2016. The new album follows Vicious, their debut LP on England’s seminal FatCat Records. The record saw the band blaze a relentless trail across Europe and the US, hitting well over 150 cities and festivals, including ATP Camber Sands, Le Guess Who, Eurosonic, The Great Escape, and SXSW, as well as tours supporting Widowspeak, Lotus Plaza, Fear Of Men, Deerhunter, Disappears, and Maximo Park.
► Pale Fear — from “Isolation Culture” — directed by Giulia Mazza
► Summer Majestic — from “Always Mist” — directed by Jamie Harley
► Machines (LIVE) — from “Charade EP” — directed by Bleary Eyed Brooklyn
► Mystify The Ocean (LIVE) — from “Always Mist” — directed by Yours Truly